Lá fhéile Pádraig sona dhuit! Happy St. Patrick’s Day to you! This marks the 20th anniversary of the St. Patrick’s Day commemorative pipes for Peterson, and I couldn’t think of a better way to celebrate than by offering a visual history of the series.
History and Series Characteristics
Tom Palmer’s idea for an annual pipe took flight in 1997, when Peterson released its first Limited Edition / Pipe of the Year. The following year the company decided to add two annual commemoratives, a St. Patrick’s Day and a 4th of July. While the 4th of July pipe has long been gone, the SPD has given Kappnists (or Pete Nuts) many great pipes over the years, with none perhaps quite as marvelous as this year’s 20th anniversary 2018 and the original 1998.
The price-point of the series is at the solid entry-grade of the Classic Range, roughly equivalent to the Aran line in most years (with some exceptions). Another distinguishing feature of the series is that in many years a shape (or even two or three) from a special collection or high-grade series—think the Antique Collection for the former and the Sherlock Holmes for the latter—is often featured. Every Peterson high-grade issue has bowls that aren’t of sufficient quality to make the cut but must be used, and often these feature some fantastic grain. For most of the more recent years, the series has offered 12 shapes.
We know the series began in 1998 because Brad Weinfeld of SAG Imports was working for Hollco-Rohr, Peterson’s US distributor at the time, and during the course of our research on the Peterson book he took the trouble to send us the final sales catalog of that company, dated July 15, 1998. If you click on the image, you can see the SPD and 4th of July annual commemoratives described as “NEW,” as well as their wholesale and retail prices.
The series began auspiciously enough, with a brass and acrylic sandwich band of the Irish colors and P-Lip. For this and most of the years, I don’t know which shapes were released, although they were for the most part taken from Classic Range shapes.
Two of the three images of purported 1998 SPDs I have show a light, matt finish. Seen above is the unique bent shape from the 1997 Racing Green / Claret limited editions. I can’t give you the shape number, because there wasn’t one stamped on the only Racing Green I have handled.
I also have a photo of a 107 SPD, probably with its original box and sleeve, with a stain that matches the RG:
Dustin Anderson and I both have XL20 SPDs (seen above) with a dark gloss finish and the tricolor acrylic and brass band. We both have assumed (at least until now) that these were first-issue SPDs for 1998. However, I have been able to find no trace of a documented SPD for 1999, nor indeed any pictures at all for this year. I’ve asked Peterson and searched all the usual places but come up empty-handed.
I have two hypotheses: perhaps the dark-stain XL20 Dustin and I companion are actually a 1999, rather than 1998 issue. This would explain the disparity of stain between this pipe and the two examples of the 1998 seen above, and also accommodate my theory that most years of the SPD feature a single trickle-down special shape. Why would the dark XL20 and the light Racing Green special shapes be released the same year? What counters this idea is the long-standing belief circulated by Pete Nuts that only the 1998 featured the acrylic tricolor band.
A second possibility is that there simply was no SPD for 1999, but that also seems rather unlikely given the series otherwise uninterrupted history.
In 2000, the SPD series settled into its most familiar guise: some variant of brown-hued smooth bowl and a nickel band with Peterson’s over a shamrock over March 17 and the year. The 2000 SPDs also featured the beloved P-Lip vulcanite mouthpiece. Shown here is what must have been the collector’s piece, the A3 shape from the first Antique Reproduction series.
In 2001, the SPD lost its P-Lip, never to return. Peterson seems to have changed directions at about this time, giving in to market pressure on the one hand and (perhaps) a lack of interest in promoting the P-Lip on the other. I say this based on my own hunches from research during the course of the book, and while a company must remain viable to survive in the marketplace, from a historical point of view at least, it was unfortunate.
The collector’s piece for 2001 (again I hypothesize based on the assumption that there would be only one special shape for the year) was again the Return of Sherlock Holmes Rathbone.
An unusual entry for the series from the Classic Range, the 68 brandy—this is a real handful of a pipe, absolutely magnificent to hold. More on the shape soon!
2008 was the first year of Peterson’s green SPD releases. I’ve included two illustrations to give you some idea of what you can expect. Craftsmen at the factory have told me they had a hell of a time in the beginning figuring out how to do a really good green.
Here’s the undoubted collector’s piece from 2009: the oversized 502, from the short-lived 500 shape group. See what I mean about the spectacular grain sometimes found in the SPDs? Simply amazing.
Here’s a bulldog, Irish-style! The now deleted B2, for all fans of heavy (in looks, not weight). This might well have been the collector’s shape for 2010. . .
As you can see from the 2013 electronic strut card, there were actually three special shapes released in the 2013 SPD (the B35, B58 and B60), one of the most remarkable in the series’ 20-year history, not merely in the shape selection, but also in the smoky-matt finish.
You can read all about the 2014 SPDs here.
The 2016 SPD on display at the 2015 IPCPR Show. Ten shapes? Surely not.
At the IPCPR show last summer, Tom Palmer said the 2018 SPD was intended to represent the Irish flag—the green (bowl), sterling band (white) and orange (mouthpiece). What better way to celebrate the 20th anniversary of the pipe? It’s certainly the highest-end since the first issue.
Happy St. Patrick’s Day!
Peterson of Dublin